Download scientific diagram | Score extract from Gyorgy Ligeti’s Devil’s Staircase, representing the TSU Endless trajectory. Reprinted with kind permission of. A really interesting point that I absolutely love about this piece is the fact that there is almost always an upwards movement, trying to escape. So this week I decided to study “The Devil’s Staircase”, by Hungarian composer, Gyorgy Ligeti. The piece is heavily technically difficult as well.
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Here, each of the pianist’s hands seems to be moving in a different space. You are commenting using your Twitter account.
You are commenting using your Facebook account. The opening piece of Musica ricercata shows in a very palpable way the creative forces that a radical self-limitation can unleash. The piece is heavily technically difficult as well as heavily metaphorical. The piece continues in this way — ascending for vast periods of musical time, then returning down again, instantaneously.
In stave 3, the bass takes on the role of being a percussive driving force. To find out more, including how to control cookies, see here: It was with the piano collection Musica ricercata that the Hungarian composer laid the foundations of an individual musical language in the early s.
This bonkers Ligeti etude could be the loudest piece we’ve ever heard (it has EIGHT fortes)
The piece, thus far, seem to lean towards this point, and one might expect a climax, but in bar 18, the consistency of texture, and pitch material drop instantly — much the same as bar stave 3. By continuing staifcase use this website, you agree to their use.
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We hope that over time the blog will provide useful hints and ideas about the creative processes of composition. You are commenting using your Twitter stairccase. We hope staircasee over devl the blog will provide useful hints and ideas about the creative processes of composition.
In case of emergency. The Piece ascends and ascends to the extreme upper pitches of the piano. Any way I could ask for a copy of the score? It also demonstrates the composers interest in American minimal music. Chopin, Liszt, Debussy and others composed piano etudes that concentrated on specific intervals e. To find out more, including how to control cookies, see here: This includes many moments of crossing over the hands, and large leaps and spans.
This is a blog for staff and students in the Composition Program at Monash University. Email required Address never made ligehi. All in all, I got a lot out of studying this piece — I really enjoyed the musical metaphors that were used in this piece, and I found this piece thoroughly entertaining for this very reason.
I remember having the same P. This is a ligtei for staff and students in the Composition Program at Monash University. Please log in using one of these methods to post your comment: Usually virtuosic pieces do not particularly enthrall me, debil I usually find that there is not a lot of musical content or meaning behind them. With ten fingers, the pianist plays up to seven different layers, each with its own tempo, dynamics and tone colour.
Thanks to our partners and sponsors: This is until there is a sudden and unexpected mood change. Ligeri is a very consistent and constant pulse throughout the piece, other than three moments of incredible mood change.
Ligeti Etude The Devil’s Staircase | Monash Composers
Leave a Reply Cancel reply Enter your comment here You are commenting using your WordPress. Email required Address never made public. For me, the images created within this piece, are generated by the use of revil initial leaps of 2 octaves and a 6th — perfectly imitating the physically disjunctive motion of walking up the stairs. By the last third of the first stave, the piece still moves polymetrically up and down the piano, but the intervals begin to narrow, and as a result, this subtly thickens the texture.
Leave a Reply Cancel reply Enter your comment here In addition to a video recording staifcase each work, the interactive stairczse include introductions and performing suggestions as well as film sequences from masterclasses and previously unpublished remarks and explanations from the composer.
Ligeti was a piano player, this is clear from some of the incredible dexterities required of the piano player. As the piece goes on, the ascending sections reach higher and higher closer and closer out of hell?